Hark! All herald the return of writer/director Robert Eggers, back with his long-overdue follow up to 2015’s The Witch, a film which The Lighthouse shares much of its DNA with.
A delightfully Armando Iannucci-fied take on Charles Dickens’ classic novel, The Personal History of David Copperfield tackles 19th century England’s class system and societal struggles through the eyes and words of one man who walks the line between the lower, upper and middle classes.
The RIse of Skywalker is a whole lot of Star Wars for one movie. Packed to the rafters with both fist-pumping highs and confounding lows, it’s a messy, emotional, frustrating and exhilarating conclusion to the decades-spanning saga.
“Last Christmas I gave you my heart…”
System crasher: a foster child who has repeatedly broken every given rule until the system built to support them runs out of options. Until they become un-fosterable, too young to be put in closed care, but too much of a danger to be taken in by those caring for other children. Benni (Helena Zengel) is…
Sprawling, ambitious, beautifully performed, edited and shot, The Irishman is a welcome return to the criminal underbelly of America for Martin Scorsese.
Beep beep! Roll up for a return trip to Pennywise’s twisted funhouse. Mosey on in, he only bites a bit.
Quentin Tarantino’s ode to Hollywood’s past might just be his most eccentric offering to date.
VelociPastor: the monster movie you never knew you needed in your life.
Disney’s steely insistence on remaking every single one of its animated properties has reached peak levels of ambition with The Lion King. “Live-action” this may market itself as being, but as we all know, it most definitely is not….because talking lions.
“You’ve been shot five times for your country and you can’t even afford to send your kids to college.”
“I was made to help a child, I don’t remember it being this hard.”